“The Collection”
Some people collect old china,
petite and pretty and polite;
or plates from every state in the country,
round ones, flat ones, bronze ones,
beveled-edged ones usually discovered
in scattered fleas markets,
just off I-10 in Quartzsite, Arizona;
or political pins from ‘60, ’64, and ’76,
Kennedy, Johnson, and Ford.
I, on the other hand, collect rocks,
smooth ones, flat ones, odd-shaped ones,
from railroad lines in Utah, high mountains
in Idaho, the plains of Montana,
or the high prairies in Wyoming—
some stuck out like farmers
in the New York City subway;
others lay half hidden in sand and weeds.
The three-date rock appeared after Church,
scavenged clandestinely from a river bed,
high in the Beartooths, by Boy Scouts
in search of dates with my daughter.
Another came from a rodeo coach,
a completely round one, rounded by years
of water splashing in and around it,
like a princess on a platter. One came
from my Dad’s place after he died,
a round black volcanic one with a bowl
in the middle where, he said,
Native Americans ground corn for supper.
Now, whether any of it was true seemed
superfluous to me until I held the rock
in my hands, lovingly caressed it
like a mother and her newborn babe.
The story was too good to let truth surface.
I used to keep them all out front
I used to keep them all out front
where I could see them.
Often I shuffled from rock to rock,
remembering how they came to be,
wincing at the invariable words:
“We’re not taking those on our next move.”
I already knew the poundage and hidden spaces
between the brown sofa and bed stands
where rocks can hide their true identities
and stories yet to be told.
“We’re not taking those on our next move.”
I already knew the poundage and hidden spaces
between the brown sofa and bed stands
where rocks can hide their true identities
and stories yet to be told.
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